Anique Hommels, Unbuilding Cities: Obduracy in Urban Socio-Technical Change. Cambridge, Massachusetts: MIT Press, 2005.
While sharing a common intellectual genealogy, the contemporary disciplines of science and technology studies (STS) and urban studies have followed divergent paths of development, and flourished in largely separated academic compartments. Anique Hommels’ Unbuilding the City argues for the complementarity of the approaches of STS and urban studies in explaining the phenomenon of urban “obduracy” and strategies for “unbuilding” the city. Linking together the concepts drawn from actor-network theory and constructivist studies of socio-technical change, the book contains three case studies of postwar urban development in the Dutch cities of Utrecht, Maastricht and Amsterdam.
How can we understand urban structures as more than simple technical or physical artifacts? How can we explain the history of cities and their power relations as socio-technical ensembles? Does the urban built environment embed the tacit knowledge of its original planners and builders, such that their norms and values continue to shape the relations of city-dwellers in subsequent generations? In a well-known essay on the question “do artifacts have politics?”, Langdon Winner has cited the example of the low-lying bridges designed by planner Robert Moses in New York, whose passages were too low to permit movement by public buses between the freeways and beaches of Long Island. Moses’ bridges prevented access to these elite white spaces of recreation by inner-city black populations, thus inscribing a permanent spatial discrimination into the design of seemingly apolitical technical artifact.