Neera Adarkar, ed., The Chawls of Mumbai: Galleries of Life (Gurgaon: imprintOne, 2011)
Can built forms have their own subjectivity? Architects, geographers and urban planners would surely answer this question in the affirmative. By contrast, most historians and social scientists have long viewed all non-human artefacts as “socially constructed”, and the structure and agency of the physical environment has remained weakly conceptualised, even in urban studies.
Given the number of published works on the deindustrialisation of Mumbai and the decline of its textile industry – including an award-winning oral history of mill workersi co-authored by the editor of this new anthology on chawls – it is significant that the most ubiquitous form of working-class housing in the Mumbai had not yet been studied in any depth until nowii. Galleries of Life is a salutary exploration of the history, architecture, culture and politics of chawls which creatively examines the tension between historical nostalgia and contemporary urban change in Mumbai.
Buildings can nurture, constrain, limit and transform those who inhabit or pass through them. Generic typologies mass produced on an industrial scale – apartments, tenements, chawls, skyscrapers and slums – are generative of their peculiar milieus and practices. Like other forms of housing, Mumbai’s iconic chawls are basically physical containers which give shelter and provide shape to social reproduction. But urban housing and the built environment can “act back” on communities and society. Housing as social space can signify a bundle of rights and claims, a locus of legal and property relations, a stage for politics and performance, and a set of resources for survival and mobility.
Edward Glaeser, Triumph of the City: How our Greatest Invention Makes Us Richer, Smarter, Greener, Healthier and Happier (New York: Penguin Press, 2011).
The past two decades have seen large cities in North America and Europe decisively rebound from a painful postwar history of technological change and spatial restructuring. Since the 1980s, urban centres throughout the developed world have been built new business districts and gentrified into consumer zones, as educated workers and families returned to cities hollowed out by decades of de-industrialisation, suburban flight, and social upheaval. Urban manufacturing hubs and ports whose fabric was shaped by the production and shipment of goods and commodities were left behind by finance, information and business services in a new global economy centered in cities such as New York, Chicago, London and Paris.
This post-industrial city has since become the archetype for mega-cities across the world, and Edward Glaeser’s The Triumph of the City is a tribute to the endurance of the age-old metropolis and the capacities of its citizens to rebuild spaces and reinvent economies. Weaving historical comparisons with policy discussions and the passion of a committed urbanist, the book is a foray by a respected academic economist into mass market non-fiction. Like Thomas Friedman’s writings on globalisation or Samuel Huntington’s on the clash between the West and Islam, Glaeser’s styles his theories into simple universals. Globalisation works hand-in-hand with urbanisation, therefore the world is “paved, not flat”. Civilisations don’t simply clash, but also exchange goods and transfer ideas through via cities which are “gateways between markets and cultures”.
Anique Hommels, Unbuilding Cities: Obduracy in Urban Socio-Technical Change. Cambridge, Massachusetts: MIT Press, 2005.
While sharing a common intellectual genealogy, the contemporary disciplines of science and technology studies (STS) and urban studies have followed divergent paths of development, and flourished in largely separated academic compartments. Anique Hommels’ Unbuilding the City argues for the complementarity of the approaches of STS and urban studies in explaining the phenomenon of urban “obduracy” and strategies for “unbuilding” the city. Linking together the concepts drawn from actor-network theory and constructivist studies of socio-technical change, the book contains three case studies of postwar urban development in the Dutch cities of Utrecht, Maastricht and Amsterdam.
How can we understand urban structures as more than simple technical or physical artifacts? How can we explain the history of cities and their power relations as socio-technical ensembles? Does the urban built environment embed the tacit knowledge of its original planners and builders, such that their norms and values continue to shape the relations of city-dwellers in subsequent generations? In a well-known essay on the question “do artifacts have politics?”, Langdon Winner has cited the example of the low-lying bridges designed by planner Robert Moses in New York, whose passages were too low to permit movement by public buses between the freeways and beaches of Long Island. Moses’ bridges prevented access to these elite white spaces of recreation by inner-city black populations, thus inscribing a permanent spatial discrimination into the design of seemingly apolitical technical artifact.
This paper addresses the pedagogic and disciplinary challenges posed by the effort to understand urban spatial practices and institutional histories in Bombay/Mumbai, and other postcolonial South Asian cities. Many cities in the region, such as Chandigarh and Dhaka were designed as iconic of the abstract space of the nation-state.
The dominance of the nationalist spatial imagination in the understandings of public space, citizenship, and the metropolitan environment – combined with the functionalist perception of architecture and spatial practice – have resulted in an urban pedagogy that regards the city only as a technological or physical artefact. Architectural education and urban pedagogy is therefore unable to address the diversity of social-spatial formations in the city, and its political regime of predatory development, tactical negotiation, and blurry urbanism. To better understand this new regime, we require a collaborative urbanism that treats the city as an extra-curricular space by which we can reconstruct existing institutional frameworks.
Drawing on the work of CRIT (Collective Research Initiatives Trust), Mumbai, this papers explores the post-industrial landscapes of the Mumbai Mill and Port Lands as a case study in two extracurricular research projects, which grew into urban design and community planning interventions in the Mumbai Metropolitan Region, where urban spaces became the arena for re-imagining the relations between knowledge production, institutional boundaries, and civic activism on which nationalism has imposed a long estrangement.
In Mumbai, public awareness of urban arts and heritage has experienced a significant revival in the past ten years in the same historical moment when manufacturing industries have closed and factories emptied throughout Greater Mumbai. Heritage discourse and conservation practice have only implicitly acknowledged this economic context. Since the Bombay Textile Strike of 1982-3, entire working-class communities across the city have been retrenched and dispersed in the Mill and Dock Lands of central Mumbai, the chemical and engineering factories and industrial estates in suburban Mumbai, and across the Metropolitan Region.
With job losses going into tens of lakhs, and uncertain growth prospects for Mumbai, several years ago the media and civic elite began speaking of the “death of the city” they once knew, whereas planners and academics eagerly awaited the birth of a new “global city”. However one described this restructuring of the city’s economy, it is clear that manufacturing has declined in value compared to the new service industries, not just in Mumbai but in big cities throughout the world. The post-industrial landscapes of London’s Docklands and New York’s Lower Manhattan are oft-cited symbols of this change monstrous, gleaming high-rise districts dominated by banking, finance, and white-collar services. In today’s urban economy, the making and marketing of immaterial signs has replaced the production of durable goods as the primary circuit of wealth creation.
The concepts and practices of cultural heritage, architectural conservation, and public arts, (whether they realise it or not) are enmeshed in this new economy of image production. While buildings are still very much made of brick and mortar (or steel and RCC), the production of images of the urban built environment is one of the intangible, high-value commodities of the global city. Whether in the space-age absurdity of Hafeez Contractor’s garden city in Powai, or the sepia-tinted romanticism of the South Bombay heritage enthusiasts, the value of a building has less to do with its physical qualities than its iconic presence as an object of consumption. So it is not difficult to explain the phenomenal growth of concepts and practices of heritage conservation in Mumbai.